En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Elena Xanthoudakis

ETO's extracts from Rossini's serious operas at the Hackney Empire lacked spark and dynamism, but saw a fine showing from Elena Xanthoudakis and Catherine Carby.

Donizetti's back catalogue proves just as rich as his well-loved works, with this blisteringly good foray into an extraordinary opera whose UK premiere is 179 undeserved years late. 

Rota's Mysterium is emotive and direct. La Verdi demonstrated that this most human of works deserves a place on our musical maps.

The house was full for the opening night at the London Coliseum, and there were plenty of whoops for conductor Nicholas Collon as he made his ENO debut. This year marks the 25th anniversary of ENO's celebrated production of Mozart's The Magic Flute, and this revival – the fourteenth – will be the last.

When you discover your bride-to-be in another man's bed on the eve of your wedding day, the excuse "Darling, I must have been sleepwalking" rates somewhere near the same level of credibility as "Sir, the dog ate my homework." But hey, this is opera, and bel canto opera at that. You didn't come to Bellini's La Sonnambula for the story and the drama: you came here for the singing.

On Saturday night, Antonio Pappano and his Roman orchestra and chorus, the Accademia Nazionale di Santa Cecilia, brought us the first opera of the 2011 Proms- Gioachino Rossini's William Tell.