En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Grant Gershon

Gustavo Dudamel selects a trio of works by Latin American composers for a colorful and extravagant evening at the LA Phil.

The soloists and LA Master Chorale lead the way in a performance of Mozart's “Great” C minor Mass conducted by Zubin Mehta. 

The Los Angeles Philharmonic brought back its Conductor Emeritus, Zubin Mehta, for an outstanding performance of Mahler's “Resurrection” Symphony as part of its 100th anniversary celebrations. 

Mahler's Eighth was the composer’s “gift to the nation”; Dudamel’s performance was a gift to Los Angeles. 

Peter Sellars' dramatised production of di Lasso's Lagrime di San Pietro is stunningly sung by the Los Angeles Master Chorale, but the dramatic element causes problems.

Dame Shirley’s texts are here sung by the young American soprano Julia Bullock whose pliable instrument and stylish way with words reveal an ideal storyteller.

After appearances in London and New York, Phelim McDermott's bold and imaginative production of Philip Glass’ Satyagraha arrives in Los Angeles.

The Los Angeles Philharmonic proved that Bernstein's Mass, which had been dogged by critics at its première, has stood the test of time.

Adams and Peter Sellars demand that the audience take a cold, hard look at the Gold Rush and the founding history of California.

Zeffirelli excess and Woody Allen wit: Los Angeles Opera's season opens with a double bill of Puccini's Gianni Schicchi and Leoncavallo's Pagliacci.

Emerging talent to watch in Wolf Trap's summer production of Puccini's Madama Butterfly. 

Matthew Richard Martinez reviews Los Angeles Opera's season-opening performance of Verdi's La traviata starring Plácido Domingo, Nino Machaidze, and Arturo Chacón-Cruz.

“The most beautiful sound an audience can make,” Dudamel told the expectant masses, “is silence.” They chuckled knowingly. Dudamel’s request was borne out of the obvious production being made of Tuesday night’s performance. The giant boom and manned onstage cameras indicated that the performance was indeed being filmed.

Seeing a classical concert at the Hollywood Bowl is always an event. While (to put it kindly) it is not the ideal acoustic for classical music, the iconic venue is surrounded by glowing hills and always seems to have perfect weather.

Have you heard the good news? The Los Angeles Philharmonic have recently formed a partnership with the Barbican, and they were strutting their impressive stuff in London last week for their first International Associate Residency. Also: Christ died for our sins and was reborn.

A mid-19th-century Italian opera with the sound of the human voice front-and-center, and seemingly dependent on the trappings of the theater.

The Los Angeles Philharmonic, under the direction of Gustavo Dudamel, brought its season to a close with a world premiere of an oratorio the orchestra commissioned from one of today’s greatest living composers. On paper the alignment of the LAPO, Dudamel, and John Adams appeared to augur well for a memorable close to a season abounding in memorable music-making.