En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Rosanna Vize

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A village hall Tosca at English National Opera

Par Mark Pullinger, 30 octobre 2026

Annilese Miskimmon’s new production for English National Opera promises a “reimagining” but is a problematic disappointment.

**111

Plus d'infos

**111

Londres

30 oct. 2026

A village hall Tosca at English National Opera

Par Mark Pullinger

John Relyea (Bluebeard) © Nirah Sanghani

Londres

An unexpected bride in English National Opera’s Duke Bluebeard's Castle

Par Dominic Lowe, 21 mars 2024

A semi-staging of Bartók's tale of doors and brides at the Coliseum is saved from disaster when Jennifer Johnston steps in to sing Judith at very short notice, with the part gamely acted by Crispin Lord.

****1

Plus d'infos

****1

Londres

21 mars 2024

An unexpected bride in ENO’s Duke Bluebeard's Castle

Par Dominic Lowe

Clara Cecilie Thomsen (Governess) © MIklos Szabo

Copenhague

Singing and stage direction impress in Britten’s The Turn of the Screw in Copenhagen

Par David Karlin, 6 octobre 2023

Anthony Almeida and Rosanna Vize's deconstructed ghostly country house provides plenty of tension; fine vocal qualities are marred by poor intelligibility.

***11

Plus d'infos

***11

Copenhague

6 oct. 2023

Britten’s The Turn of the Screw in Copenhagen

Par David Karlin

Londres

The very model of a modern sexual opportunist: Mozart's Don Giovanni at Hampstead Garden Opera

Par Charlotte Valori, 15 novembre 2015

A brilliant modern revisioning by Genevieve Raghu, in a superb contemporary translation by Benjamin Hamilton, makes Don Giovanni feel more relevant than ever for the Tinder generation and their disposable approach to love.

****1

Plus d'infos

****1

Londres

15 nov. 2015

The very model of a modern sexual opportunist

Par Charlotte Valori

High Wycombe

A Dream devoid of magic: Garsington’s RSC collaboration disappoints

Par Mark Pullinger, 16 juillet 2015

Garsington’s first collaboration with the Royal Shakespeare Company married an abridgement of Shakespeare’s play with Mendelssohn’s incidental music, a union which promised much but which stumbled awkwardly.

**111

Plus d'infos

**111

High Wycombe

16 juil. 2015

Garsington's Dream devoid of magic

Par Mark Pullinger