En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Krisztina Lisztopád

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation. 

András Almási-Toth production of the original version of Mussorgsky's historical epic underwhelms in Budapest. 

Szilveszter Ókovács' new production matches the opulent venue in all its eye-candy, with dazzling costumes, dark sets large crowds, and rapid scenic changes made possible by a newly installed mechanical stage. 

Monteverdi’s last opera, recomposed by Máté Bella for a modern orchestra and a jazz combo, is an over-the-top, glitzy romp with plenty of casual sex and even more casual violence.

Hungarian composer Dohnányi's fourth and last opera is a comic delight, especially in the hands of the team at the Budapest Opera.