Epic swing and miss: Boris Godunov opens at Hungarian State Opera

Boris Godunov

Par Orsolya Gyárfás, 28 avril 2024

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“undermining an existing dramaturgical structure without constructing something else in its place”

Critique faite à Hungarian State Opera: Auditorium, Budapest, le 27 avril 2024

Moussorgski, Boris Godounov

Opéra d'État hongrois

Alan Buribayev, Direction

András Almási-Toth, Mise en scène

Sebastian Hannak, Décors, Lumières

Krisztina Lisztopád, Costumes

Orchestre de l'Opéra d'État hongrois

Chœurs de l'Opéra d'État hongrois

Gábor Bretz, Boris Godounov

Botond Ódor, Grigori, L'Innocent

Botond Pál, Grigori, L'Innocent

András Palerdi, Pimène

Tivadar Kiss, Missaïl

Andrea Szántó, L'Aubergiste

Bence Pataki, Nikitich

Boldizsár Zajkás, Mitioukha

Andrea Brassói-Jőrös, Xénia

Zsolt Haja, Andreï Chtchelkalov

István Kovácsházi, Prince Vassili Chouïski

Alexei Kulagin, Varlaam

Bernadett Wiedemann, La Nourrice

Laura Topolánszky, Féodor

Eszter Lázár, Movement Director

Budapest accueille ses Enfants terribles

Suzanne Lay-Canessa, 13th November

Jean Cocteau rencontre Philip Glass à l'Opéra d'État hongrois, dans le cadre neuf de l'Eiffel Art Studios, et cette production des Enfants terribles se déroule à un tempo infernal !

****1

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

Hungarian National Ballet: a tremendously witty Merry Widow

Deborah Weiss, 12th February

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

****1

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Orsolya Gyárfás

A university student in Budapest, currently pursuing a degree in Aesthetics, Orsolya is an opera fan, particularly interested in the works of Mozart and Wagner.

An epic swing and a miss: Boris Godunov opens at Hungarian State Opera