En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Yasmine Naghdi

Highs and lows within a glamorous mixed bag of choreography are inevitable when people are travelling from around the world.

Bringing dance to the Docklands, this programme offered a range of genres and some star turns.

Four world premieres and four main stage debuts provides genuine hope for the future of choreography.

Thomas Adès' score does most of the storytelling in this epic production, though the dancing is superlative.

Every decade or so, The Royal Ballet creates a new work that will endure in its signature collection, and there's little doubt that Woolf Works deserves its place among that elite.   

Even within a line-up boasting some of the greatest international stars from across the world, it is the youngest couple, making their UK debuts, who captivate the audience.

The finale had Osipova wrapping herself in the area rug like a mummy and rolling on the stage floor. It wasn’t even a guilty pleasure. It was just bad.

Their artistry was something that is rarely seen and is a great gift to us all.

Sir Peter Wright’s classic Royal Ballet production returns for another festive run to enchant the young – and not so young – at Covent Garden. 

A richly varied trio of works celebrate The Royal Ballet's former director, performed with sincerity and panache. 

A compelling performance of this revival, dedicated by Vadim Muntagirov to the people of Ukraine.

An evening of George Balanchine and Jerome Robbins at Covent Garden, topped by a beautifully poignant rendering of Dances at a Gathering.

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

An event that will be long-remembered for the importance of the occasion, if not for its content. 

In her first work for the Covent Garden main stage, based on the life of Jacqueline du Pré, choreographer Cathy Marston explores the profound bond between musician and instrument.

An evening of sparkle and bravura at London's international ballet gala. 

On the evidence of this performance, there is every reason to be cheerful.

A memorable and important event in the history of British ballet, sensitively and sentimentally performed. 

The Firebird/A Month in the Country/Symphony in C is an effective and enjoyable programme to close The Royal Ballet's season.

Peter Wright's evergreen production continues to delight led by a defining performance by Marianela Nuñez in the title role .

Sir Peter Wright's enchanting vision of The Nutcracker continues to delight 

A return of the company's signature work found The Royal Ballet fielding an excellent cast led by Sarah Lamb and Vadim Muntagirov. 

The Royal Ballet revives Kenneth MacMillan’s The Invitation, to great public acclaim and with excellent performances in the main roles. The programme also features McGregor's new Obsidian Tear and Wheeldon's Within the Golden Hour.

Wayne McGregor pulls together a stellar all male cast for the Royal Ballet's world première of hisnew work, Obsidian Tear. 

The Royal Ballet's Giselle is classical ballet at its best, paying deep reverence to the original with some of the heavier elements refreshed. Excellently performed by Sarah Lamb and Matthew Golding. 

Peter Wright's excellent version of The Nutcracker returns to The Royal Ballet for a festive run, with several standout performances. 

This Royal Ballet programme shows Sir Frederick Ashton's versatility of subject while never scrimping on unmistakeable style.