Bachtrack logo

Ballet Nights: another dose of cabaret ballet with highlights

Yasmine Naghdi and Reece Clarke in Asaf Messerer's Spring Waters
© Deborah Jaffe
Yasmine Naghdi and Reece Clarke in Kenneth MacMillan's Romeo and Juliet
© Deborah Jaffe
Laurel Dalley Smith in Laurel by Robert Cohan
© Deborah Jaffe
James Pett and Travis Clausen-Knight in Nerve Wire
© Deborah Jaffe
Chloe Keneally in Paquita
© Deborah Jaffe
Felicity Chadwick in Joshua Junker's 324a with Viktor Erik Emanuel on piano
© Deborah Jaffe
Chargement en cours, veuillez patienter...
Voir le listing complet
“the pair sold the essential narrative of the early yearning of adolescent love with great intensity”
Critique faite à Lanterns Studio Theatre, Londres, le 23 février 2024
Mixed Programme (Asaf Messerer, Sir Robert Cohan, Sir Kenneth MacMillan, Marius Petipa, Jordan James Bridge, James Pett, Travis Clausen-Knight)
Dancers of the Royal Ballet
Viktor Erik Emanuel, Piano
Chloe Keneally, Danse
Jordan James Bridge, Danse
Yasmine Naghdi, Danse
Reece Clarke, Danse
Felicity Chadwick, Danse
James Pett, Danse
Travis Clausen-Knight, Danse
Cydney Watson, Danse
Liam Woodvine, Danse
Laurel Dalley Smith, Danse
World ballet stars and future talents at Ballet Nights’ Decadance
****1
Yorke Dance Project impresses in Modern Milestones at the Linbury
*****
Ballet Nights: A Grand Finale is the perfect recipe for pleasure
****1
Yorke Dance Project's Past Present in the Linbury Theatre
****1
Martha Graham Dance fields five winners at the Joyce Theater
****1
David Hughes Dance bring Something Old, Something New... to Aberdeen
****1
Plus de critiques...
Articles connexes
Loading image...
Voyage dans les rouages du piano : l'art méconnu des accordeurs
Loading image...
À la limite de la folie : entretien avec Sidi Larbi Cherkaoui
Loading image...
L’aristocratie du cœur : René Martin à la Grange de Meslay
Loading image...
Entretien avec David Fray : « le processus est plus intéressant que le résultat »
Graham Watts