En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Florian Stern

Aribert Reimann's Lear takes no prisoners in a disturbing portrayal of a world gone awry, but Barbora Horáková's scattergun direction adds to the confusion. 

Not a great day for the patriarchy: Ersan Mondtag's gripping new Salome emphasises grotesque caricatures and ends with a bloody, plot-twisting coup d’état. 

Canadian soprano Jennifer Maines as a demure Venus, and German soprano Josefine Weber as a chaste Elizabeth, were the outstanding singers at this Innsbruck performance of Tannhäuser.