En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Hannah Pedley

A standout performance by Alison Langer as Gilda lights up an Opera Holland Park season opener marred by illness. 

Under the baton of Harry Christophers and direction of Penny Woolcock, Streetwise Opera, The Sixteen, Sixteen Orchestra, backed by a number of Manchester-based organisations came together to bring a well-crafted Easter dramatisation of one of Johann Sebastian Bach’s seminal oratorios. 

The Warsaw Philharmonic Choir and Orchestra offered a program of Szymanowski’s Stabat Mater and Beethoven’s Ninth Symphony. Their performance at Cadogan Hall had outstanding moments but overall felt unremarkable.

Alice's story in a sparkling outdoor production for families, which will not disappoint mainstream opera enthusiasts.

“... and as Venice in many things surpasses all places else where I have been, so are these Operas the most excellent of all its glorious Vanities.” So wrote the entranced English traveller Richard Bargrave in 1655. These days, however, Venice travels to England in the form of the English Touring Opera’s 2013 autumn season production.

When the Baroque movement in art ended, the backlash was severe. The very adjective became an insult: the cold, clear, rarefied eye of 18th-century Neoclassicism found its opulence stifling, its luxury oppressive, and its profusion of ornament, ugly.

As I left Holland Park after last night’s Cavalleria Rusticana and Pagliacci, I found myself wondering what they’d put in the orchestra’s cups of tea at the interval. Or, perhaps, what was it that conductor Stuart Stratford said to them.