En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Isata Kanneh-Mason

Under Iván Fischer's direction, Mahler's First Symphony is notable more for bombastic passion than subtle artistry.

Some chamber concerts, like this one at Snape Maltings, can turn a public hall into a large drawing room. 

An impressive evening at the Barbican from two rapidly maturing performers, unafraid to bring chamber music to audiences more familiar with standard virtuosic concerto displays. 

The BBC National Orchestra of Wales under Ryan Bancroft joined Kanneh-Mason as she tackled Prokofiev's most popular piano concerto with easy dexterity, then delivering a powerful performance of Tchaikovsky.

Isata Kanneh-Mason thrills with sparking fingerwork in Prokofiev, while the RLPO and Domingo Hindoyan are just as dazzling in Falla and Stravinsky.

A self-effacing, literal approach from conductor Ilan Volkov brings marvellous transparency to works by Sibelius and Prokofiev, while highlighting the flaws in a new work by Freya Waley-Cohen.

The RLPO with their new chief conductor herald a return to full-scale orchestral performances with an evening of dances, plus Clara Schumann's far too rarely heard Piano Concerto. 

One of the most appealing features of the concert was the friendly and casual nature with which these two young musicians presented a concert of relatively lesser-known works for cello and piano to a mostly young audience.

A strangely intimate window into almost private chamber performances from the Kanneh-Mason siblings.