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Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.
Beethoven 250 – no fewer than three Sonatas, 21 variations, a fugue, two bagatelles and six écossaises – delivered with urgent energy and exuberant joy by Kissin.
Warmly affectionate Vaughan Williams contrasting with angular and psychologically charged Wood, followed by an emotional performance of Elgar's The Music Makers.
The Amatis Trio deliver insightful performances of Clara Schumann's Piano Trio and Three Romances, alongside Robert Schumann's Adagio and Allegro, in their lunchtime Prom at Cadogan Hall.
A fascinating new companion piece to Elgar's Enigma Variations, from 14 contemporary composers, in celebration of Martyn Brabbins' 60th birthday, performed with enthusiasm by the BBC Scottish Symphony Orchestra.
The War of the Romantics – Brahms v Wagner – from the BBC National Orchestra of Wales and Nathalie Stutzmann, followed by an energetically powerful Mozart Requiem with the BBC National Chorus of Wales on fine form.
VOCES8 perform choral music spanning 800 years, including a BBC commission from Alexia Sloane, with great energy, articulation and virtuosity in an impressive Proms debut at Cadogan Hall.
The Orchestra of the Royal Academy of Music and The Julliard School, with Edward Gardner in an impressively ambitious programme, with tragic Britten from James Ehnes, and a remarkable UK premiere from Anna Thorvaldsdottir.
Exhilarating Adams and insightful The Planets from the BSO and Karabits, with a Proms debut from Nemanja Radulović in Barber with great presence and warmth.
Renaud Capuçon shines in Bartók's two Violin Concertos, together with a strong Concerto for Orchestra from the BBCSO and Péter Eötvös, at the Festival Printemps des Arts de Monte-Carlo.
