En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jamar Roberts

Some excellent individual performances but a disappointing program for Contemporary Choreography I with New York City Ballet.

New York City Ballet's Sara Mearns proves that she is a natural contemporary dancer in a self-curated double bill.

Janet Eilber has done an amazing job of steering the Martha Graham Dance Company into the modern age with multiple mixed programs.

BalletX, a contemporary ballet company that prides itself on its diversity and its commitment to commissioning new work, brings an ambitious and mostly successful mixed bill to the Joyce Theater.

Partita has emerged as one of the stronger Peck ballets. If we see more Partita and less Principia, that’s a good thing.

New York City Ballet ends its Fall Digital Season with a festival of new choreography, including works by Justin Peck and Pam Tanowitz. 

New York City Center’s annual Fall for Dance festival heads online in a pair of programs, one much stronger than the other. 

A programme of dance themed on life-changing inspiration.

Intricate hip-hop, sinuous African, lyrical ballet and glorious gospel held together with powerful contemporary technique: you are hit by huge waves of happiness and end the show smiling.