En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Julia Daramy-Williams

Olivia Fuchs gives a powerful staging of Janáček's morality tale of the perils of eternal youth, with an excellent cast, but there are reservations about the title role.

RCS forces tackle Jonathan Dove’s The Day After, Ovid’s tale of Phaeton’s disastrous chariot ride, pulling the sun across the sky with infectious raw energy and verve.

Music, singing and movement blend together in a powerfully moving double bill of French Tragedy, Les Malheurs d’Orphée and Le Vin herbé  at the Royal Conservatoire of Scotland.