En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Longborough Festival Opera Orchestra

Longborough Festival Opera, built on Wagnerian foundations, stages the UK premiere of Avner Dorman’s ambitious cautionary tale about the Wagner clan and establishing the composer’s legacy. 

Who wouldn't relish the chance of seeing a Ring cycle at close quarters? Longborough's Die Walküre isn't perfect, but it consistently delivers on the story and on character interpretation.

Polly Graham's production turns semi-opera into “three-quarters opera”, to good effect.

Longborough's Ring Cycle reaches completion in the Cotswold's, effectively staged by Amy Lane. 

An outstanding performance from Rachel Nicholls lights up Carmen Jakobi's compelling production of Korngold's exploration of grief.

 Longborough Festival Opera’s ongoing Ring cycle returns to its fully staged form with a triumphant new Siegfried.

Janáček's woodland fairy tale proved a superb ensemble choice for the festival's Emerging Artists program.

Three performances in five days take their toll in a tight schedule of this concert production run in the Cotswolds. 

Paula Sides as Donna Anna has an appealing sound throughout her range, a hint of spinto power, and gave the vocal performance of the night.

Ariadne auf Naxos shines in an ultra-contemporary world of high net worth tantrums at Longborough Festival Opera, complete with glam rock fairies, giant string, and glorious music. 

Gluck sought simplicity; Longborough Festival Opera delivers simplicity with a most enjoyable and engaging production of Orfeo

A fresh, yet traditional Magic Flute at Longborough uses puppetry to bring an atmosphere of fairytale onto the stage, with fine singing from a strong cast. 

Strong casting but intrusive direction makes this Fidelio a bizarrely intriguing experience, salvaged by some memorable singing. 

A passionate revival of Longborough's 2015 production with outstanding performances from the principals.