En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Lindsey Reynolds

The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time. 

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism. 

Claus Guth's production foregrounds the regimented, repressive world that drives the plot of Janáček’s tragic masterpiece.

The company returned to its home at the Academy of Music after three years with a brutalist take on Verdi's middle-career masterpiece.

Benjamin Britten's comic slice of country life proves an ideal choice for the conservatory setting.