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Opera Philadelphia's darkly modern Rigoletto spotlights exciting young singers

Raven McMillon (Gilda) and Anthony Clark Evans (Rigoletto)
© Dominic M Mercier
Joshua Blue (Duke), Kristen Choi (Maddalena), Raven McMillon (Gilda) and Anthony Clark Evans
© Dominic M Mercier
Opera Philadelphia chorus
© Dominic M Mercier
Kara Goodrich (Countess Ceprano) and Joshua Blue (Duke of Mantua)
© Dominic M Mercier
Wei Wu (Sparafucile) and Anthony Clark Evans (Rigoletto)
© Dominic M Mercier
Par Cameron Kelsall, 01 mai 2022
Chargement en cours, veuillez patienter...
Voir le listing complet
“often visually striking and dramaturgically cloudy”
Critique faite à Academy of Music, Philadelphia, le 29 avril 2022
Programme
Verdi, Rigoletto
Artistes
Opera Philadelphia
Corrado Rovaris, Direction
Lindy Hume, Mise en scène
Richard Roberts, Décors, Costumes
Opera Philadelphia Orchestra
Opera Philadelphia Chorus
Daniel Pelzig, Revival Director
Joshua Blue, Le duc de Mantoue
Anthony Clark Evans, Rigoletto
Raven McMillon, Gilda
Wei Wu, Sparafucile
Kristen Choi, Maddalena
Julius Ahn, Borsa
Lauren Decker, Giovanna
Ben Wager, Monterone
Kara Goodrich, Countess Ceprano
Lindsey Reynolds, Page
Frank Mitchell, Court Usher
Robert Mellon, Marullo
Grant Youngblood, Count Ceprano
Voir plus de critiques Opéra
A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia
Cameron Kelsall, 22nd April
A new opera by Gregory Spears subverts the Sleeping Beauty trope, with middling results.
**111
Opera by committee: Opera Philadelphia premieres Complications in Sue
Cameron Kelsall, 4th February
Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.
****1
A didactic Decameron: The Seasons at Opera Philadelphia
Cameron Kelsall, 20th December
Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.
***11
A long, strange trip: Opera Philadelphia’s Il viaggio a Reims
Cameron Kelsall, 19th September
The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time. 
***11
The Listeners: daring psychological thriller at Opera Philadelphia
Cameron Kelsall, 25th September
The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism. 
****1
Opera Philadelphia's Unholy Wars creates a dialogue with Monteverdi
Cameron Kelsall, 23rd September
Arab-American tenor Karim Sulayman devises a thoughtful pastiche that centers the perspective omitted from Early Modern depictions of the Middle East in music.
****1
Plus de critiques...
Lire critiques de
Anthony Clark EvansBen WagerCorrado RovarisDaniel PelzigFrank MitchellGiuseppe VerdiGrant YoungbloodJoshua BlueJulius AhnKara GoodrichKristen ChoiLauren DeckerLindsey ReynoldsLindy HumeOpera PhiladelphiaOpera Philadelphia ChorusOpera Philadelphia OrchestraRaven McMillonRichard RobertsRigolettoWei Wu
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Cameron Kelsall
Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.