En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Aaron Crouch

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Nicole Heaston (Claire) and Lindsey Reynolds (Ashley) © Steven Pisano

The Listeners: daring psychological thriller opens Opera Philadelphia season

Par Cameron Kelsall, 25 septembre 2024

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism.

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****1

Philadelphia

25 sept. 2024

The Listeners: daring psychological thriller at Opera Philadelphia

Par Cameron Kelsall

Philadelphia

Rossinian vocal fireworks overcome dramatic torpor in Opera Philadelphia's Otello

Par Cameron Kelsall, 30 septembre 2022

Lawrence Brownlee further cements his status as the world's leading bel canto tenor with a blazing performance as Rodrigo, the unlikely central figure in Rossini's rendering of the Shakespearean tragedy.

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***11

Philadelphia

30 sept. 2022

Vocal fireworks overcome dramatic torpor in Philadelphia Otello

Par Cameron Kelsall

Cooperstown

To the World offers a musical geography lesson at the Glimmerglass Festival

Par Cameron Kelsall, 08 août 2021

In place of a full musical, this revue highlighted classic and contemporary songs that celebrate places and cultures, although some selections seemed questionable out of context.

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Cooperstown

08 août 2021

To the World: a musical geography lesson at Glimmerglass

Par Cameron Kelsall

Cooperstown

Glimmerglass’ Traviata: quality singing in a setting with novel accents

Par Edward Sava-Segal, 04 août 2019

Francesca Zambello sets the whole opera as a flashback, showing, during the prelude, the heroine surrounded by doctors and nurses in a sanatorium for patients dying from tuberculosis.

****1

Plus d'infos

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Cooperstown

04 août 2019

Quality singing in a setting with novel accents at Glimmerglass

Par Edward Sava-Segal