Vocal fireworks overcome dramatic torpor in Philadelphia Otello

Khanyiso Gwenxane (Otello), Colin Doyle (Doge) and the Opera Philadelphia Chorus

Daniela Mack (Desdemona) and Khanyiso Gwenxane (Otello)

Alek Shrader (Iago) and Khanyisa Gwenxane (Otello)

Lawrence Brownlee (Rodrigo) and the Opera Philadelphia Chorus

A scene from Otello

Par Cameron Kelsall, 01 octobre 2022

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“Brownlee seemed only to gain in color and dexterity as the passagework became more intricate”

Critique faite à Academy of Music, Philadelphia, le 30 septembre 2022

Rossini, Otello

Opera Philadelphia

Corrado Rovaris, Direction

Emilio Sagi, Mise en scène

Daniel Bianco, Décors

Gabriela Salaverri, Costumes

Eduardo Bravo, Lumières

Opera Philadelphia Orchestra

Opera Philadelphia Chorus

Khanyiso Gwenxane, Otello

Daniela Mack, Desdemona

Lawrence Brownlee, Rodrigo

Alek Shrader, Iago

Sun-Ly Pierce, Emilia

Christian Pursell, Elmiro

Aaron Crouch, Un gondoliere

A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia

Cameron Kelsall, 22nd April

A new opera by Gregory Spears subverts the Sleeping Beauty trope, with middling results.

**111

Opera by committee: Opera Philadelphia premieres Complications in Sue

Cameron Kelsall, 4th February

Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.

****1

A didactic Decameron: The Seasons at Opera Philadelphia

Cameron Kelsall, 20th December

Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.

***11

A long, strange trip: Opera Philadelphia’s Il viaggio a Reims

Cameron Kelsall, 19th September

The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time.

***11

The Listeners: daring psychological thriller at Opera Philadelphia

Cameron Kelsall, 25th September

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism.

****1

Opera Philadelphia's Unholy Wars creates a dialogue with Monteverdi

Cameron Kelsall, 23rd September

Arab-American tenor Karim Sulayman devises a thoughtful pastiche that centers the perspective omitted from Early Modern depictions of the Middle East in music.

****1

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.

Rossinian vocal fireworks overcome dramatic torpor in Opera Philadelphia's Otello