En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Gabrielė Kupšytė

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Aigul Akhmetshina (Carmen) © ROH | Camilla Greenwell

Michieletto’s excellent new Carmen lit up by Beczała and Akhmetshina at Covent Garden

Par David Karlin, 05 avril 2024

Aigul Akhmetshina is outstanding in the title role, hearing Piotr Beczała is a privilege, but it's Damiano Michieletto's new staging that takes the honours.

****1

Plus d'infos

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Londres

05 avril 2024

Michieletto directs an excellent new Carmen at Covent Garden

Par David Karlin

Nina Stemme (Elektra) © ROH | Tristram Kenton

Londres

Pappano and Loy bring empathy to Elektra at Covent Garden

Par David Karlin, 12 janvier 2024

Christof Loy’s thoughtful staging enlightens the character of the protagonists in Sophocles’ tale of matricide; Sir Antonio Pappano extracts great nuance and beauty from Strauss’ score.

****1

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Londres

12 janv. 2024

Pappano and Loy bring empathy to Elektra at Covent Garden

Par David Karlin

Londres

Seeing double: Iolanta and The Nutcracker reunite under Vasily Petrenko's baton

Par Dominic Lowe, 08 novembre 2023

Tchaikovsky's final opera and ballet were always intended to be paired; at the Royal Albert Hall Petrenko and the RPO present them together in a rewarding double-bill, marred by microphones.

***11

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Londres

08 nov. 2023

Seeing double: Iolanta and The Nutcracker reunited

Par Dominic Lowe

Aigul Akhmetshina (Charlotte) and Jonas Kaufmann (Werther) © ROH | Bill Cooper

Londres

Jonas Kaufmann ails as Werther, but Covent Garden hails Aigul Akhmetshina's Charlotte

Par Mark Pullinger, 20 juin 2023

The star tenor is clearly under the weather, but the young house-favourite mezzo shines in an impressive role debut in a revival of Benoît Jacquot's cinematic staging.

****1

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Londres

20 juin 2023

Jonas Kaufmann ails, Covent Garden hails Aigul Akhmetshina

Par Mark Pullinger

Roberto Tagliavini (Ferrando) and Jamie Barton (Azucena) © ROH | Camilla Greenwell

Londres

A Fright at the Opera: Trovatore ridiculed, but Barton’s Azucena drags it from the flames

Par Mark Pullinger, 02 juin 2023

Adele Thomas’ Royal Opera staging channels the Marx Brothers in playing it for laughs, but the musical compensations are many under Sir Antonio Pappano.

***11

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Londres

02 juin 2023

Barton’s Azucena drags Trovatore from the flames

Par Mark Pullinger

Gabrielė Kupšytė (Arminio) and Sarah Dufresne (Tusnelda) © ROH | Marc Brenner

Londres

Handel’s Arminio: a Rhineland rebel firing Baroque blanks

Par Mark Pullinger, 20 avril 2023

The Royal Opera presents another Handel rarity for its Jette Parker Artists in the Linbury Theatre, the but action thriller approach is ill-suited to the ancient tale.

**111

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**111

Londres

20 avril 2023

Handel’s Arminio: a Rhineland rebel firing Baroque blanks

Par Mark Pullinger

Asmik Grigorian (Rusalka) © ROH | Camilla Greenwell

Londres

Semyon Bychkov leads a musically superior Rusalka at Covent Garden

Par Mark Pullinger, 21 février 2023

Ann Yee and Natalie Abrahami give Rusalka an ecological reading, but it's the musical side of things that really takes flight in The Royal Opera's new production.

****1

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Londres

21 févr. 2023

Semyon Bychkov leads a musically superior Rusalka at Covent Garden

Par Mark Pullinger

Maria Agresta (Cio-Cio-San) © ROH | Tristram Kenton

Londres

Maria Agresta captivates in latest ROH revival of Madama Butterfly

Par David Truslove, 12 septembre 2022

A mixed bag of performances at Covent Garden, but with an outstanding Butterfly who brings ample rewards to an evening where the emotional temperature eventually soars.

***11

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Londres

12 sept. 2022

Maria Agresta captivates in latest ROH revival of Madama Butterfly

Par David Truslove

Londres

Emotion and mayhem: a golden double bill from Royal Academy Opera

Par Stephen Pritchard, 18 mars 2019

Students triumph in Tchaikovsky's Iolanta and Ravel's L'Enfant et les sortilèges.

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Londres

18 mars 2019

Emotion and mayhem: a golden double bill from Royal Academy Opera

Par Stephen Pritchard