En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Brad Cohen

New Zealand Opera's new production impresses with its stunning set design and art direction, and its restrained emotional tone. 

Director Simon Phillips takes the opportunity to reshape the setting of Rossini's comic opera to modern-day New Zealand. 

Dove’s masterful adaptation, combined with an ebullient and characterful rendition by New Zealand Opera, make for a very effective and at times, very moving, afternoon at the opera. 

A spirited and seamless production of Strauss’s Ariadne is aided by some excellent singing and playing at London’s premier summer opera festival.

Antony McDonald’s take on Ariadne auf Naxos, a co-production from Scottish Opera and Opera Holland Park, sparkles with wit. 

Bizet's The Pearl Fishers has its problems, but a good account of its score does have its pleasures, especially when it's all brightened up by the presence of Emma Matthews.

Flight represents a brave new departure for Opera Holland Park, the first contemporary opera to take to its main stage, in a striking staging with top quality musical performances. 

Imagine a 21st century aircraft carrier on station in the Middle East instead of a 15th century Cyprus garrison. And, surprise, surprise, it seems to fit the story even better!

When attending professional opera, patrons can and should expect to see a solid production, strong singing, and elevated production values—a well-rounded show that leaves them more satisfied than not. At the professional level, opera is a commercial transaction around an artistic product.