En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Allyson McHardy

La première du nouveau Vaisseau fantôme au Festival d'opéra de Québec charme par la proposition scénique originale de François Girard mais déçoit beaucoup sur le plan vocal et orchestral.

The young Handel's homage to Counter Reformation Rome, La resurrezione, is effectively brought to life by Opera Atelier with glittering sets and fine, stylish singing.

The director's world-renowned 1991 conception of Benjamin Britten's 1960 operaA Midsummer Night's Dream finally makes it to America. 

Opera Atelier presents a double bill at the Royal Opera in Versailles filled with Baroque dancing, scenery and music.

Ludovic Morlot closes his sixth Seattle Symphony season with a challenging program of Ligeti's Requiem and Mahler's Fifth that raises the stakes for musical 'redemption'. 

Music Director Ludovic Morlot, known for his intriguing programming, outdid himself with a summery breeze of a program that enchanted from beginning to end.

Labadie made a noteworthy return to the Chicago Symphony in a satisfying performance of Handel's Messiah.

A trip down memory lane sends our man in Aix into raptures as Robert Carsen's production of Britten's A Midsummer Night's Dream comes home to Provence. 

Opera Atelier’s latest production mixes traditional-specific touches the company is known for, and more high-concept inclusions. The results are mixed — but the singing is spectacular.

The Concertgebouworkest's series based on 'the sublime' continues with an eclectic programme of Ockeghem, Ligeti, Varèse and Ravel at the Concertgebouw. 

With smart direction, elegant design, and vocal fireworks, the Canadian Opera Company's Roberto Devereux offers a complex portrait of a much-loved historical figure.