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Peter Oundjian bridges the centuries in Seattle

Peter Oundjian bridges the centuries in Seattle

Par Erica Miner, 15 mars 2025

The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.

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Mozart meets Vaudeville in Seattle's silent movie Magic Flute

Mozart meets Vaudeville in Seattle's silent movie Magic Flute

Par Erica Miner, 22 février 2025

Eye-popping, hand-drawn animation melds with Mozart's fantastical world and the silent film era to create a colorful and energetic new-to-Seattle production.

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Morlot's evening of French music charms Seattle

An evening of French music charms in Seattle

Par Erica Miner, 01 février 2025

Ludovic Morlot and the Seattle Symphony commemorate the 150th anniversary of Maurice Ravel’s birth and present the world premiere of Benjamin Attahir's Hanoï Songs.

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African American spirituals ring out in world premiere of Jubilee

African American spirituals ring out in world premiere of Jubilee at Seattle Opera

Par Erica Miner, 12 octobre 2024

A world premiere opera about the Fisk Jubilee Singers, the intrepid troupe of African American singers who changed music history.

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Morlot contrasts the contemporary with the iconic in Seattle

Morlot contrasts the contemporary with the iconic in Seattle

Par Erica Miner, 15 juin 2024

In combining two works of contemporary American composer John Adams with Beethoven's most iconic symphony, Conductor Emeritus Morlot gave the audience much to think about.

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Master of contrasts: Lang Lang excels in Saint-Saëns in Seattle

Master of contrasts: Lang Lang excels in Saint-Saëns in Seattle

Par Erica Miner, 29 septembre 2023

A manic 20th-century ride and a Technicolor showpiece bookend the astounding virtuosity of superstar pianist Lang Lang.

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Huang Ruo’s riveting Bound makes Seattle Opera debut

Huang Ruo’s riveting Bound makes Seattle Opera debut

Par Erica Miner, 10 juin 2023

Bound tells of a second generation of Asian immigrants, born and raised in the US, their problematic association with their cultural heritage, and the difficulties and challenges they face, bound to their culture but trying to be wholly accepted as American.

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Seattle Symphony pays tribute to Rachmaninov’s 150th

Seattle Symphony pays tribute to Rachmaninov’s 150th

Par Erica Miner, 29 avril 2023

The Seattle Symphony celebrates 150 years of Rachmaninov with stunning performances of two of his piano concertos.

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Seattle natives shine in Samson et Dalila

Seattle natives shine in Samson et Dalila

Par Erica Miner, 20 janvier 2023

Ludovic Morlot conducts a strong cast, led by local mezzo J’Nai Bridges, in a concert performance of Saint-Saëns' biblical opera.

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Olivier Messiaen’s Canyons echo through the American West

Olivier Messiaen’s Canyons echo through the American West

Par Erica Miner, 04 juin 2022

Ludovic Morlot conducts the Seattle Symphony in Messiaen's remarkable Des Canyons aux Étoiles, which bows to the majesty of the stunning geological and astrological entities of the southwestern US landscape, still sounding as if it had been written yesterday.

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Seattle Opera rises from the ashes with La bohème

Seattle Opera rises from the ashes with La bohème

Par Erica Miner, 16 octobre 2021

Colorful sets and lavish costumes greet Seattle audiences as live opera finally returns to the McCaw Hall.

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Rare Respighi shines in Seattle Chamber Music Society online stream

Rare Respighi shines in Seattle Chamber Music Society online stream

Par Erica Miner, 20 juillet 2021

After solo Bach, Alessio Bax joins string players for the Italian's Brahmsian Piano Quintet in F minor.

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Seattle Chamber Music Society's Summer Festival opens with bravado

Seattle Chamber Music Society's Summer Festival opens online with bravado

Par Erica Miner, 17 juillet 2021

All three works were spirited, full of bravura and performed with panache and undisputed virtuosity.

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Nézet-Séguin and Philadelphia recreate “Mahler’s greatest”

Philadelphia

Nézet-Séguin and Philadelphia recreate “Mahler’s greatest symphony”

Par Erica Miner, 27 mai 2021

Mahler did not compose an opera, but the writing in Das Lied is intensely operatic; Yannick Nézet-Séguin shows himself to be a great singer’s conductor.

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Finale of Andris Nelsons' Paths of Romanticism in Boston

Boston

Andris Nelsons' Paths of Romanticism finale preserves Strauss’ “high art of our fathers”

Par Erica Miner, 29 avril 2021

Nelsons, in his “Paths of Romanticism” series, has chosen programs that can be played by a small chamber group made up some of the world’s finest musicians.

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Chicago Symphony soloists channel the Infinite in Messiaen

Chicago

Chicago Symphony soloists channel the Infinite in Messiaen

Par Erica Miner, 22 avril 2021

Messiaen's Quartet for the End of Time is given a rapt performance in Chicago.

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France meets Russia at the Detroit Symphony

Detroit

France meets Russia at the Detroit Symphony

Par Erica Miner, 03 décembre 2020

Enrique Mazzola conducts an intriguing combination of a French work and a Russian work with a French title focusing on turn-of-the-century France.

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Seattle Symphony welcomes back Ludovic Morlot

Seattle Symphony welcomes back Ludovic Morlot

Par Erica Miner, 05 novembre 2020

Conductor Emeritus Ludovic Morlot chose a thought provoking and unusual program for his first return to the Benaroya stage since 2019.

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Seattle Symphony’s Noah Geller shines in Mendelssohn's Violin Concerto

Seattle Symphony’s Noah Geller shines in Mendelssohn's Violin Concerto

Par Erica Miner, 29 octobre 2020

The Seattle Symphony continues its “Music Unleashed” series with spirited works by youthful composers, focusing on a perennially popular violin concerto.

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Runnicles conducts the Atlanta Symphony in the classics

Atlanta

Sir Donald Runnicles conducts the Atlanta Symphony in the classics

Par Erica Miner, 22 octobre 2020

The Atlanta Symphony manages to keep live performance flourishing under the current unprecedented circumstances.

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Salome: the greatest Strauss tone poem?

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Salome: the greatest Strauss tone poem?

Par Erica Miner, 24 avril 2020

A look at the succès de scandale that was Strauss first operatic hit, Salome, placing it in the context of his early tone poems Don Juan and Death and Transfiguration.

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24 avril 2020

Linking jazz and opera: Charlie Parker's Yardbird in Seattle

Linking jazz and opera: Charlie Parker's Yardbird in Seattle

Par Erica Miner, 22 février 2020

Composer Daniel Schnyder and librettist Bridgette A. Wimberly, both in their Seattle Opera debuts, have done a creditable job of conveying the jazz artist’s lifework.

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Thomas Zehetmair does double duty in Seattle

Thomas Zehetmair does double duty in Seattle

Par Erica Miner, 18 janvier 2020

Thomas Zehetmair plays Beethoven's sole violin concerto in Seattle before conducting lively Mozart with a Bohemian flavour.

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Feddeck channels North Sea in Seattle

Feddeck channels North Sea in Seattle

Par Erica Miner, 16 novembre 2019

James Feddeck conducts the Seattle Symphony in a premiere of Angelique Poteat's cello concerto by plus Britten and Rachmaninov.

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Strong chamber performances win admiration in Seattle

Strong chamber performances win admiration in Seattle

Par Erica Miner, 03 juillet 2019

The Seattle Chamber Music Society presented an ambitious program with a distinguished ensemble of performers.

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Beloved Maestro conducts arresting farewell concert

Beloved Maestro conducts arresting farewell concert

Par Erica Miner, 22 juin 2019

Music Director Ludovic Morlot placed an emphatic Fortissimo ending on an eight-year tenure that has placed the Seattle Symphony on the global map.

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Bach meets Harbison in the Land of Shostakovich

Bach meets Harbison in the Land of Shostakovich

Par Erica Miner, 23 mars 2019

Seattle audiences welcomed Pulitzer Prize-winning composer John Harbison to Benaroya Hall this past weekend with the west coast premiere of his work, What Do We Make of Bach? for orchestra and obbligato organ.

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Kanneh-Mason gives royal performance in Seattle

Kanneh-Mason gives royal performance in Seattle

Par Erica Miner, 20 octobre 2018

British cellist Sheku Kanneh-Mason gave the impression that he had been playing the cello since he was in the womb

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Morlot shows true French colors in Seattle

Morlot shows true French colors in Seattle

Par Erica Miner, 29 septembre 2018

The anticipation of an all-French program with Morlot was almost too delicious to contemplate.

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Morlot conducts in Seattle, with and without heroes

Morlot conducts in Seattle, with and without heroes

Par Erica Miner, 10 février 2018

In yet another intriguing programming maneuver, Seattle Symphony music director Ludovic Morlot devoted this weekend’s performances to the subject of heroism.

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Dausgaard shows the wisdom of Seattle Symphony's choice

Dausgaard shows the wisdom of Seattle Symphony's choice

Par Erica Miner, 27 janvier 2018

If Principal Guest Conductor and Music Director Designate Thomas Dausgaard wore his array of conducting posts as a series of medals on the lapel of his tux, it would weigh him down considerably.

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A rediscovery and a première in Seattle

Morlot and the Seattle Symphony present a rediscovery and a première

Par Erica Miner, 06 janvier 2018

When news of the discovery of Stravinsky's Funeral Song reached the classical music world, a near-revolution of excitement took place.

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Messiah is Seattle Symphony’s “Glory to God”

Messiah is Seattle Symphony’s “Glory to God”

Par Erica Miner, 16 décembre 2017

“Leave your hoop skirts and swords at home,” the audience was advised, in order to avoid overcrowding when Handel’s Messiah premiered in Dublin in 1742.

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Gerstein and Debus are a sensation in Seattle

Par Erica Miner, 02 décembre 2017

Late romantic music in the key of D minor reigned at Saturday night’s Seattle Symphony performance.

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A sensation in Seattle

Fantastical Berlioz with the Seattle Symphony

Morlot conjures fantastical Berlioz with the Seattle Symphony

Par Erica Miner, 04 novembre 2017

Both of these works are united in their depiction of love gained and lost, and embodied Berlioz’s take on love and music, which the composer called, “the two wings of the soul”.

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Guerreo leads Seattle Symphony into its new season

Giancarlo Guerrero leads Seattle Symphony into its new season with Mahler

Par Erica Miner, 23 septembre 2017

The Seattle Symphony, under the outstanding leadership of guest conductor Giancarlo Guerrero, overcame the absence of their maestro and gave a worthy reading of the monumental work.

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Morlot in his element for L’Enfant et les sortilèges

Morlot in his element for L’Enfant et les sortilèges

Par Erica Miner, 03 juin 2017

Music Director Ludovic Morlot, known for his intriguing programming, outdid himself with a summery breeze of a program that enchanted from beginning to end.

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Seattle Opera's Magic Flute as enchanting as ever

Seattle Opera's Magic Flute as enchanting as ever

Par Erica Miner, 06 mai 2017

“Love, love, love… that is the soul of genius,” said Mozart. In no other work does he demonstrate this affirmation more compellingly than in his forever-beloved opera, Die Zauberflöte.

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Hilary Hahn and Ludovic Morlot ignite Seattle

Hilary Hahn and Ludovic Morlot ignite Seattle

Par Erica Miner, 11 février 2017

Debussy provided a scintillating introduction to Hilary Hahn’s glorious rendering of Bruch’s Violin Concerto no. 1 in G minor and Prokofiev’s fiery Fifth Symphony.

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Seattle begins New Year with Beethoven's Ninth

Seattle begins New Year with Beethoven's Ninth

Par Erica Miner, 07 janvier 2017

To open the new year, Seattle Symphony music director Ludovic Morlot chose a standard work, Beethoven’s Ninth, prefaced with an unusual one by French composer Olivier Messaien.

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Khachatryan's Sibelius impresses in Seattle

Phenomenal technical proficiency: Khachatryan's Sibelius impresses in Seattle

Par Erica Miner, 05 novembre 2016

Sibelius' Violin Concerto remains one of the true tests for violinists, and was performed with great emotional depth in Seattle by young Armenian violinist Sergey Khachatryan.

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Impeccable Haydn from Yo-Yo Ma and Seattle Symphony

Impeccable Haydn from Yo-Yo Ma and Seattle Symphony

Par Erica Miner, 14 octobre 2016

It is a testament to Ma’s power as a musical force that, despite the typhoon-related weather raging outside, the auditorium was packed to capacity.

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Xavier Phillips glows in Elgar with the Seattle Symphony

Xavier Phillips glows in Elgar with the Seattle Symphony

Par Erica Miner, 01 octobre 2016

Two spirited, late romantic works bookended a more somber one in Ludovic Morlot’s Masterworks performance with the Seattle Symphony.

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Heggie's Great Scott wins big in San Diego

Heggie's Great Scott wins big in San Diego

Par Erica Miner, 07 mai 2016

Returning stars and high-profile company debuts contributed panache to the energy-charged atmosphere.

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Ling shows love for Mahler in “Tragic” Symphony

Ling shows love for Mahler in “Tragic” Symphony in San Diego

Par Erica Miner, 30 avril 2016

Jahja Ling and the SDS gave a luminous performance of Mahler's Sixth, clearly showing his deep love for the composer.

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Latonia Moore a shimmering Butterfly

Latonia Moore a shimmering Madama Butterfly in San Diego

Par Erica Miner, 16 avril 2016

San Diego Opera's main stage offering proved that even a warhorse can remain thoroughly enchanting when a production looks and sounds as beautiful as this company’s Madama Butterfly.

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A passionate Tosca at San Diego Opera

Alexia Voulgaridou a passionate Tosca at San Diego Opera

Par Erica Miner, 13 février 2016

Tosca’s popularity stems not only from its music, but also from the inherent truth in its drama and its in-depth portrayal of unrestrained human passions.

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Brahms at the double with Alisa Weilerstein

Brahms at the double with Alisa Weilerstein in San Diego

Par Erica Miner, 12 décembre 2015

The San Diego Symphony presented a glittering holiday gift to audiences with its final Jacobs Masterworks program of 2015

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Passion and pain: Yuja Wang in San Diego

Passion and pain: Yuja Wang's Tchaikovsky 2 in San Diego

Par Erica Miner, 10 octobre 2015

To celebrate another landmark season, San Diego Symphony Music Director Jahja Ling brought forth a multifaceted program featuring star Chinese pianist Yuja Wang.

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Andris Nelsons takes Mahlerian command at Tanglewood

Lenox

Andris Nelsons takes Mahlerian command at Tanglewood

Par Erica Miner, 08 août 2015

Boston Symphony Orchestra Music Director Andris Nelsons experienced his first time leading the Tanglewood Music Center Orchestra – and hundreds of other performers – in Mahler’s Symphony no. 8.

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