En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Andrzej Dobber

In Peter Konwitschny Klassenzimmer-Inszenierung wir Nationalismus und Krieg der Spiegel vorgehalten.

Saioa Hernández leads a solid cast in Dresden in a somewhat disappointing new production by David Bösch.

Houston Grand Opera’s season-opening production of the fiery opera does it right, from lighting to set to singing, and the end result is a stunning beginning to its season.

Director Tatjana Gürbaca’s production of Aida in Zurich strictly underscores the psyche and emotional parrying of the principals.

Khovanshchina offers ample opportunity for massive, haunting and grandiose vocal display,  beautifully realized by a remarkable cast led by Ain Anger, Elena Maximova and Ferruccio Furlanetto.

Of all the mischievous dramatic reversals that line Rigoletto’s plot – the hunchbacked jester tricked into abducting his own daughter, the daughter tricked into loving the brainless Duke (posing as a penniless student), and the terrifying reunion of father and daughter in a scene of murder – is not the most breathtaking, after all, the fact that the opera begins with a convincing display of the de