En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Anya Matanovič

Vita Tzykun and David Allen Moore’s production works within the company’s means to create a memorable afternoon of Rossini's operatic swansong.

Odyssey Opera makes a convincing case that The Last Savage’s time has come.

Bard’s always courageous Music Director, Leon Botstein, never one to shy away from a challenge, presents Strauss' comedy uncut.

Sultry and brassy, calculating and cruel, the character Carmen is, well, hard to like. By contrast, Bizet’s opéra comique of the same name playing in repertory at Glimmerglass Festival this summer is resoundingly popular, bringing audiences to standing ovations.The shining virtue of this Glimmerglass production is the music—especially the singing.