En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Christopher Burchett

Muted portrayals dilute the danger of the work, but excellent singing saves the performance. 

Kevin Puts effectively shapes the time-traveling structure with distinctive sound worlds as thirty dramatic vignettes unfold across a little more than an hour and a half.

Nico Muhly describes A Scream and an Outrage, the weekend of events he curated at the Barbican this weekend, as like a dinner party, “a gathering of friends and family new and old; loosely organised”.

In 1900, a relief ship arrived at a lighthouse in Northern Scotland's Orkney Islands, and discovered the three lightkeepers had gone missing without a trace. Peter Maxwell Davies' opera The Lighthouse takes this moment of history and explores the possibilities of what may have happened. It is a stormy ride of shifting identities, guilt and fear.