En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Chrystal E Williams

Philip Glass' operatic take on Ancient Egyptian history returns to the Coliseum in Phelim McDermott's hypnotic production, complete with jugglers...

Bard’s always courageous Music Director, Leon Botstein, never one to shy away from a challenge, presents Strauss' comedy uncut.

Bizet's Carmen at Leeds Grand Theatre, directed by Edward Dick and conducted by Garry Walker, provides thought-provoking modern resonances as well as an uplifting, tune-filled experience.

Lawrence Brownlee gives a compelling performance that truly does the groundbreaking saxophonist justice. 

Great performances by Lawrence Brownlee and Angela Brown in a fantasia on Charlie Parker's life and death.

As the legend goes, a noble cavalier loses his battle with giant windmills. But the Academy of Vocal Arts wins big with their latest production, Jules Massenet’s melodic Don Quichotte.

Never has the expression “A good time was had by all” been more accurate than at Tuesday night’s performance Il Barbiere di Siviglia at Centennial Hall in Haverford, Pennsylvania.

The seldom-seen opera musical Lost in the Stars found prominence Friday night, enrapturing a full house at Glimmerglass Festival in New York, moving some of the actors themselves to tears, and stirring the audience to its feet for curtain call.

Though most of Gaetano Donizetti’s operas are not well known, Donizetti wrote dozens of them – many of the silly variety. L’Elisir d’Amore is one frothy work that not only survived, but continues to be performed around the world – frequently. L’Elisir d’Amore has a formulaic storyline: it’s war time (pick a war, any war). A lonely boy falls for a very pretty girl.

The Academy of Vocal Arts (AVA) in Philadelphia presented a concert version of a rarely performed Verdi opera, Oberto, at the Haverford School's Centennial Hall. This is, in fact, the celebrated Italian composer’s first opera, and a work that took him four years to write. The evening proved a showcase for the AVA’s talented resident artists and the many musicians supporting them.

Tucked away on Spruce Street, Philadelphia, many blocks off the glittering Avenue of the Arts is a stellar training academy with the mission of preparing world-class opera singers. It’s called the Academy of Vocal Arts (AVA), and it offers resident artists from throughout the United States and all over the world a chance to study and perform in its four-year program.