En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | David Finckel

With the eternally young Gilbert Kalish leading the way, the festival's all-star roster delighted an enthusiastic and knowledgeable Center for the Performing Arts audience.

Yesterday’s all-Romantic programme displaced the usual thing with incredible panache, as Daniel Hope’s violin surveyed the ensemble with regal bearing. 

Taking a “transatlantic bridge” as their theme for the evening, the Chamber Music Society of Lincoln Center featured music by Ravel, Gershwin, Korngold and Antheil. 

For the last concert of her Perspectives series at Carnegie Hall, Renée Fleming assembled one of the least coherent concept programmes imaginable. Billed as “Vienna: Window to Modernity”, it was never clear what was specifically Viennese about the music on show, nor what was particularly modern, nor what windows had to do with anything.

The talent was top-shelf at Alice Tully Hall on Sunday evening, kicking off 2013 for the Chamber Music Society of Lincoln Center with a cello sonata by Brahms, and trios by Dvořák and Haydn. Emerson String Quartet violinist Philip Setzer joined co-artistic directors of the Society David Finckel on (cello) and Wu Han (piano).

The seventh of the Concert Programs at the annual Music@Menlo summer chamber music festival was entitled “Impassioned.

It’s difficult to find criticism for a concert like this. Three venerable musicians who are familiar colleagues meet over three gorgeous pieces of music – what’s not to love? And a program of three clarinet trios is like a three-course meal of desserts.