En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Elisabeth Vogetseder

Oper Köln’s Orpheus in the Underworld proved age accessibility must not sacrifice humour and musical integrity. The tight ensemble piece was superbly acted and well-sung throughout.

The children's Barber of Seville is too severely cut to have any substance, but fabulous playing and conducting, stellar young soloists, and an imaginative staging make it a fun afternoon.