En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Grisha Martirosyan

Pimpinone was conceived as a musical interlude – or intermezzo – between acts of Handel’s Tamerlano. Here, it marks the first time a Telemann opera has been staged at Covent Garden. 

As Richard Eyre’s staging reaches its 30th anniversary, a new Violetta arrives on the Royal Opera block in what proves to be one of the best revivals in recent years. 

Aigul Akhmetshina is outstanding in the title role, hearing Piotr Beczała is a privilege, but it's Damiano Michieletto's new staging that takes the honours.

A revival low on dramatic power and emotional temperature, despite a fine Royal Opera debut by conductor Karen Kamensek. 

It's been a long wait since Cardiff Singer 2015, but the Mongolian baritone gives an outstanding vocal portrayal of Verdi’s doomed jester at the Royal Opera House.