En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Hong Kong Sinfonietta

Le week-end de clôture du festival portugais dirigé par Christoph Poppen a fait la part belle aux jeunes interprètes, avec des résultats particulièrement enthousiasmants.

Le Hong Kong Sinfonietta aura été plus Mendelssohnien que Mozartien, Paul Meyer aura brillé un peu solitaire, tel un diamant peu serti... 

A memorable evening with the Hong Kong Sinfonietta, who are joined by pianist Alexandre Tharaud for Ravel's Piano Concerto in G major. 

Yip Wing-sie and the HK Sinfonietta show admirable qualities in their Beethoven cycle. François-Frédéric Guy plays a splendid Third Piano Concerto but Anne Queffélec is disconnected from the orchestra in the Fourth.

The Hong Kong Sinfonietta intrigues with the world premiere of Lam Lai's There is no place like home (beta), impresses in Shostakovich’s brooding Chamber Symphony, while Pavel Kolesnikov proves a fine soloist in Rachmaninov's Third Piano Concerto.

A showcase of works from the past century by Clyne, Prokofiev, Stravinsky and Barber allow the Hong Kong Sinfonietta to shine under Ken Lam's baton at Hong Kong's City Hall. 

Jason Lai returns to Hong Kong with French oboist Gabriel Pidoux in an emotionally fulfilling rendition of Vaughan Williams' Oboe Concerto. 

Hong Kong Sinfonietta's Cellomania program showcased the young Turkish cellist's towering talent with a potpourri of show-stoppers.

The Israeli clarinetist captivated in Mozart's Cello Concerto and a Sergei Abir premiere under the baton of UK-born conductor Jason Lai. 

Structurally intricate and riddled with personal undercurrents, Tchaikovsky’s Symphony no. 5 was handled with a deft touch by conductor Daniel Raiskin. 

In a long-awaited return to City Hall, the Hong Kong Sinfonietta prove their mettle in works by Ludwig van Beethoven and Daniel Lo Ting-cheung

A forced programme change by Hong Kong Sinfonietta proves beneficial, lightening up the evening with Mozart’s overture to Le nozze di Figaro before a pair of Beethoven works. 

The Soldier’s Story illustrated a thematic integration of ideas in a programme that was as diverse as it was bold.

The Canadian-born Frenchman is known for his boldness in programming, often presenting both the timely and the timeless in a single offering.

A giant step in Hong Kong's Sinfonietta's journey to musical maturity with this programme of Webern, Beethoven and Mozart.

A mixed evening, where Mozart's concerto lacked melancholy and Debussy's Faune inspired neither curiosity nor otherworldliness.

Stravinsky and Arvo Pärt’s modernism trumps Rachmaninov’s romanticism with the Hong Kong Sinfonietta. 

Hong Kong Sinfonietta in a mixed bag of Messiaen, Mozart and Beethoven. 

Fazıl Say dazzles as both composer and soloist with the Hong Kong Sinfonietta. 

The Hong Kong Sinfonietta charmed, cajoled and astounded with Haydn, Strauss and Brahms.

Elegance and wit are on ample display in Pär Isberg's new Pinocchio for Hong Kong Ballet, with a score by Respighi, arranged by maestro Benjamin Pope and vibrantly delivered by the Hong Kong Sinfonietta. 

Hong Kong Sinfonietta's refreshing reading of Sibelius' 6th Symphony in "Le French May"

A valiant attempt by Hong Kong Sinfonietta at Sibelius' demanding Fourth Symphony.

An evening of delights and bonuses with Hong Kong Sinfonietta and Nareh Arghamanyan.

Gounod’s evergreen Faust is the Consul General of France's “Le French May” offering, enjoyable despite its blemishes. 

The opening dance programme of this year’s Hong Kong Arts Festival was Giselle, performed by La Scala Ballet, who made a welcome return to Hong Kong after seven years. Reviewed by Kevin Ng at the Hong Kong Cultural Centre.

Thursday December 22nd, 1808 was a bitterly cold day in Vienna. Beethoven took the stage in what was to be his last public performance as soloist with orchestra. The crammed programme lasted some four hours. Due to lack of rehearsal time, the evening didn’t go smoothly, with the final Choral Fantasy having to be stopped and started again.

Benjamin Britten’s Variations on a Theme of Frank Bridge is not a work often heard in concert halls but deserves to be performed more often, Hong Kong Sinfonietta conductor Yip Wing-sie said at the start of the concert last night at the City Hall. The orchestra’s rendering of this moving musical tribute vindicated her statement.

Jacques Offenbach’s Tales of Hoffmann is a fine example of how the ridiculous can indeed be sublime. Three E.T.A. Hoffmann stories about otherworldly love affairs with defective femmes fatales, one of whom turns out to be a mechanical doll, connected only by the author’s gullible alter-ego as protagonist, scale the heights of the phantasmagorical.

Over the years, the Hong Kong Sinfonietta has made laudable efforts in bringing classical music to the masses and recruiting new audiences. Of necessity, it sticks to a well-trodden repertoire of evergreens which challenges musicians to bring a fresh perspective.The first half of programme on Wednesday evening was devoted to Mozart.

To mark the 15th anniversary of Hong Kong’s handover to China, the Hong Kong Sinfonietta was invited to kick-start the Koerner Hall’s chamber music series as part of their debut tour in North American. Despite competing concerts held downtown that very same evening, those who supported the HKS were rewarded by their fine performances.

“Music from three centuries comes together in tonight’s concert,” declare the programme notes to the Hong Kong Sinfonietta performance at the Hong Kong City Hall Concert Hall. Indeed it surveyed the best and most famous in the classical canon. What caught my attention, however, was the opening work: Frates by Estonian composer Arvo Pärt.