En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jennifer Rhys-Davies

From the stately front of The Grange, an impressive moustache looms large, welcoming the audience to a production of Rossini's masterpiece that baffles, confuses and delights the audience.

Semyon Bychkov turned in a magisterial account of Mussorgsky's rugged score, aided and abetted by some strong vocal performances.

“Community, exclusion, rejection and desire”, writes director Christopher Rolls about English Touring Opera’s production of Albert Herring. “Doesn’t sound like a recipe for an uproarious comedy does it? And the key thing about Herring is that it is very very funny.

The West End/Broadway musical is alive and well, raking in millions with its blend of light music, song and dance routines and not-too-taxing drama. But its spiritual ancestor, the operetta, is an unfashionable beast.

English National opera's first première of 2012 is a revival of David McVicar's 2008 production of Richard Strauss's Der Rosenkavalier, in splendid rococo period setting. They pulled out all the stops in casting: the four lead roles were all sung and acted wonderfully by English singers at the very top of their game.