En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Lar Lubovitch

Alvin Ailey American Dance Theater return to London’s Sadler’s Wells in a winning programme of new works closing with the enduringly successful Revelations.

It's become a summer dance tradition: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet and Dance Theatre of Harlem in a joint program at Lincoln Center.

An evening of sublime dancing, the Festival of Two Worlds in Spoleto, presented a Dance Marathon of electric performances, supreme quality and memories to cherish.

A longtime NYCB fan favorite, Concerto DSCH  by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.

In spite of somewhat limited dance vocabulary, American Ballet Theatre showcased its strength in dance actors presenting a very enjoyable Othello in New York.

Divertimento from Le Baiser de la fée is revived infrequently. It is an odd ballet, as if Balanchine’s couldn’t quite resolve his troubles choreographing to this piece. 

New York City Center’s annual Fall for Dance festival heads online in a pair of programs, one much stronger than the other. 

At its best, Lubovitch's work elevates the spirit and serves as a reminder that there’s beauty in the world.

American Ballet Theatre revives Lar Lubovitch's 1997 Othello with Marcelo Gomes, Julie Kent, James Whiteside, and Stella Abrera in the lead roles. Unfortunately, the formidable dancing and acting could not survive the calamitous score. 

In the Joyce Theater’s Wednesday night program for the 45th anniversary of Lar Lubovitch’s company, Mr Lubovitch presented three duets – bits of fluff, really – and one enigmatic piece for nine men that has left me bewildered and yet decidedly in favor of it.