En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Louis Hurley

Voici 9 des 9 critiques

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Meechot Marrero (Poppea) and Samuel Dundas (Nerone) © Jeff Busby

An updated Poppea crowned in Melbourne

Par Sandra Bowdler, 02 juillet 2026

An updated staging of this 17th-century opera, with great singing and acting, is more successful than its somewhat distracting updated orchestration.

****1

Plus d'infos

****1

Melbourne

02 juil. 2026

An updated Poppea crowned in Melbourne

Par Sandra Bowdler

Sydney

Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen

Par Jeremy Eccles, 07 juin 2025

A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney.

****1

Plus d'infos

****1

Sydney

07 juin 2025

Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen

Par Jeremy Eccles

Lachlann Lawton (Jupiter) and Bonnie de la Hunty (Semele) © HIP Company

Perth WA

An unusual treat for Perth: HIP Company presents Eccles’ Semele

Par Sandra Bowdler, 14 avril 2024

Eccles' version of Semele would be a real treat to hear anywhere, but especially so for Perth (Western Australia), from the newish Baroque company HIP displaying a wealth of young talent.

****1

Plus d'infos

****1

Perth WA

14 avril 2024

An unusual treat for Perth: HIP Company presents Eccles’ Semele

Par Sandra Bowdler

Jake Arditti (Rinaldo) and Alexandra Oomens (Almirena) © Cassandra Hannagan

Sydney

A streamlined, dramatic Rinaldo from Pinchgut

Par Sandra Bowdler, 30 novembre 2023

Although abbreviated, Pinchgut Opera's production of Handel's Rinaldo makes a powerful dramatic impact and exemplifies high musical values, with excellent orchestral playing and consistently fine singing.

****1

Plus d'infos

****1

Sydney

30 nov. 2023

A streamlined, dramatic Rinaldo from Pinchgut

Par Sandra Bowdler

Jacob Lawrence (Emperor) and Madeleine Pierard (Empress) © Cassandra Hannagan

Sydney

Baroque opera resurrected by Pinchgut: the eyes have it in Legrenzi's Giustino

Par Jeremy Eccles, 25 mai 2023

Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.

*****

Plus d'infos

*****

Sydney

25 mai 2023

Baroque opera resurrected at Pinchgut: Legrenzi's Giustino

Par Jeremy Eccles

Pinchgut Opera's Membra Jesu Nostri © Albert Comper

Melbourne

Sublime performance of Buxtehude's Membra Jesu Nostri by Pinchgut Opera in Melbourne

Par Sandra Bowdler, 04 avril 2023

A wonderful night of late 17th-century music by the somewhat obscure German composer Dietrich Buxtehude is brought to radiant life by Erin Helyard and the Pinchgut Opera company.

*****

Plus d'infos

*****

Melbourne

04 avril 2023

Sublime performance of Buxtehude by Pinchgut Opera

Par Sandra Bowdler

Catherine Carby (Médée) © Cassandra Hannagan

Sydney

Pinchgut Opera brings Marc-Antoine Charpentier's Médée to Sydney

Par Sandra Bowdler, 01 décembre 2022

Erin Helyard and his cast bring terrifically strong musical values to Charpentier's Médée, but Justin Way's production falters.

***11

Plus d'infos

***11

Sydney

01 déc. 2022

Pinchgut Opera brings Marc-Antoine Charpentier's Médée to Sydney

Par Sandra Bowdler

Sydney

Back from the brink: two sopranos rescue Florestan in Sydney Symphony Fidelio

Par Jeremy Eccles, 24 novembre 2022

Simone Young is made of stern stuff. With 30 hours to go before the concert performance, her Leonore falls ill. Can the show go on?

****1

Plus d'infos

****1

Sydney

24 nov. 2022

Back from the brink: two sopranos rescue Florestan in Sydney

Par Jeremy Eccles

Sydney

Physical comedy detracts from Pinchgut Opera's musically ravishing Orontea in Sydney

Par Jeremy Eccles, 26 mai 2022

Ravishing music and performances, a crazy G&S plot, but physicality that tends to distract in Constantine Costi's production.

****1

Plus d'infos

****1

Sydney

26 mai 2022

Physical comedy detracts from Pinchgut's musically ravishing Orontea

Par Jeremy Eccles