En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Lucy Knight

An even cast and a simple production makes Longborough Festival Opera's latest foray into aristocratic misdeeds a success.

An interesting evening where links between Haydn and Nielsen were illuminated in bold and individual performances.

Aylin Bozok's modern and minimalist Werther, beautifully realised and superbly acted with the innovative addition of a silent character, is utterly heartbreaking.

Mozart's La Clemenza Di Tito was written in the last year of his life around the same time as Die Zauberflöte, the Clarinet Concerto and the Requiem, when Mozart was at the height of his powers.