En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Melody Moore

Susan Graham had all the fun every mezzo-soprano witch, who can sing the role and disguise herself – when necessary – to look the part, deserves. 

Zambello's Die Walküre engages and excites in this promising Ring cycle. 

Das Rheingold stages flawed American Ambitions in the first Ring Cycle in Washington DC. 

A righteous, politically-relevant but musically questionable world premiere of Philip Glass' revised Appomattox.

Two worlds occupied by the same two women and presented, jarringly, as a single multi-story set. One is the pristine white deck of a 1960s ship bound for Brazil, and beneath it, where the hull might be, is the grey grim world of Auschwitz.

If an evocative and provocative crowd-pleaser is your preferred summertime fare, then catch the new production of Wagner’s The Flying Dutchman at Glimmerglass Festival.Dutchman was Wagner’s first unabashed hit, deservedly so. It is a classic tale of redemption through love, masterfully scored, inspired by a stormy voyage the composer himself made and Heinrich Heine’s retelling of the legend.

Goosebumps, gasps of horror, sobs and tears. That's what operagoers will experience at the East Coast premiere of Séance on a Wet Afternoon presented by New York City Opera. It is an eerie, emotional roller coaster of a show that grips you with the force of demon possession and doesn’t let go.

For a long period, Charles Gounod's Faust was one of the most frequently performed operas, its popularity due to a lusciously romantic score which contains a series of showstopping set-piece arias, many of which have found their way into popular culture (to give just one example, the Jewel Song in Act III has a starring role in the Tintin story The Castafiore Emerald).