En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Peter Wedd

Retour sur le deuxième volet de la Tétralogie bruxelloise, dans une mise en scène d'abord déconcertante puis superbe mais toujours prenante, rehaussée par l'interprétation musicale inspirée d'Alain Altinoglu. 

Three performances in five days take their toll in a tight schedule of this concert production run in the Cotswolds. 

A passionate revival of Longborough's 2015 production with outstanding performances from the principals.  

Tchaikovsky's High Gothic opera about gambling obsessions is worth seeing for a first class staging, albeit with a mixed musical performance.

Mahler's epic setting of the final scene from Goethe's Faust is so demanding of musical resources that any performance is a special occasion: what better work to conclude the Orchestra Of Opera North's triumphant 2015-2016 season? 

Anthony McDonald’s Rusalka looks and sounds wonderful in a traditionally told production, with Anne Sophie Duprels returning to the role.

Annilese Miskimmon sets Janáček's powerful tale in rural Ireland, bringing this blistering drama of a close-knit rural community closer to home.

James MacMillan has honed his first opera Inés de Castro into an unmissable evening:  unspeakably gory but utterly thrilling.

The Welsh National Opera took to the Hippodrome stage for the Bristol leg of their UK tour ofCarmen. This was a revival of Welsh National Opera’s production in the late 1990s, co-produced with Scottish Opera.

Garsington Opera takes a comedic approach to Beethoven's Fidelio. The result is amusing and musically strong, but lacking in both dynamic staging and emotional depth.

A great post-war classic by Henze in a strong new production from Welsh National Opera. 

Welsh National Opera’s contribution to the Wagner bicentenary is in the form of a summer season entitled Wagner Dream, consisting of Jonathan Harvey’s opera of the same name, a run of Madam Butterfly, and Antony McDonald’s new production of Lohengrin. Lothar Koenigs conducted an excellent performance of Wagner’s romantic opera at a packed Wales Millennium Centre.

The Bartered Bride, premiered in 1866, is considered to be Smetana’s masterpiece in the operatic genre and is widely regarded as the national opera of the Czech Republic. Despite this, for their second and last production this year, New Zealand Opera elected to perform the opera in English translation rather than the original Czech, aiming to speak to their audiences in a more direct fashion.