En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Risako Ikeda

National Ballet of Japan offer a 21st-century remake of this 19th-century Romantic classic with impeccable performances.

National Ballet of Japan has revived Sir David Bintley’s Aladdin for the first time in five years and it shows how the company has developed since the premiere in 2008. 

National Ballet of Japan have revived Peter Darrell’s Tales of Hoffmann and whilst this may not be a masterpiece, served to show how much the company is evolving, with excellent lead dancers.

NBJ's season opens with a successful new production of the 19th-century classic Giselle, directed by Miyako Yoshida and choreographed by Alastair Marriott.

A much beloved production with magical charm, National Ballet of Japan's Cinderella, choreographed by Fredrick Ashton, is successfully performed to a full house audience, thanks to coaching by Miyako Yoshida who performed the role in her days at The Royal Ballet. 

National Ballet of Japan successfully performs two very different pieces, George Balanchine's Theme and Variations and David Bintley's Still Life at the Penguin Café, amid the ongoing COVID-19 crisis.  

The National Ballet of Japan's Ryuuguu: the Turtle Princess is a ballet aimed at family audiences but adults can also enjoy it as it is a great showcase for Japanese culture with Noh and Kabuki influences and philosophy. 

New National Theatre Tokyo's gala evening of six works by six pairs of dancers was a brilliant evening showing works from Japan's leading choreographers and dancers. 

In the National Ballet of Japan's Sleeping Beauty, the fulfilment and joy of being able to dance was apparent in the whole company and the result was glorious. 

New Year Ballet displayed the versatility of the National Ballet of Japan, from the 19th-century classic Paquita, to three works by Japanese choreographers and David Bintley's “Still Life” at the Penguin Café.

National Ballet of Japan marks a triumphant season opening of Don Quixote with new director Miyako Yoshida, the first ballet performance in 8 months with full seating capacity audience and live orchestra. .