En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Steven Ebel

The loud cheers for the performers were richly deserved, although Jörg Widmann’s imposing but sprawling Babylon was not well-served by the concert format.

A split-level stage featuring an ornate stairwell and scaffolding was the setting for this the tenth Jette Parker Young Artists’ Summer Performance. Entitled ‘Veneziana’, the specially compiled programme embodied the visions of Venice dreamt by Rossini, Donizetti, Britten and Offenbach in six sets of Opera Scenes.

Ukranian soprano Liudmyla Monastyrska made a sensational Royal Opera debut earlier this season, as a late substitute for the title role of Aida. In the revival of Phyllida Lloyd's production of Verdi's Macbeth, she produced an equally commanding performance.

Fidelio, Beethoven's only opera, is on the most universal of themes: the oppression of the innocent by the powerful and the virtue of the struggle for a loved one. It could be set at any time in any place, from Ancient Rome or China to our modern world.