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Lucy Angel and Jai Fauchon in Rafael Bonachela’s E2 7SD © Daniel Boud

From Gothic menace to barefoot joy: Sydney Dance Company’s Current

Par Katie Lawrence, 03 septembre 2026

Sydney Dance Company serves up four sharply contrasting works in a snappy hour of sex, sweat, street dance and celebration.

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Sydney

03 sept. 2026

From Gothic menace to barefoot joy: Sydney Dance Company’s Current

Par Katie Lawrence

Madeleine Easton and Simone Slattery © Keith Saunders

Sydney

Collegium Musicum: great entertainment from the Bach Akademie Australia

Par Sandra Bowdler, 13 juin 2026

The Bach Akademie Australia celebrates the Leipzig Collegium Musicum of the Baroque era with an entertaining concert of familiar works and rarities, including the outright "silly" concerto of Telemann's The Frogs.

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Sydney

13 juin 2026

Great entertainment from the Bach Akademie Australia

Par Sandra Bowdler

Sydney

Rereading Beethoven’s sonatas: Olli Mustonen performs in Sydney

Par Zoltán Szabó, 07 mars 2026

Olli Mustonen’s playing never permits a passive response. One can enthusiastically nod or one can profusely object, but the listener is asked to take a side and react.

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Sydney

07 mars 2026

Rereading Beethoven’s sonatas: Olli Mustonen performs in Sydney

Par Zoltán Szabó

Madeleine Easton and John Ma © Keith Saunders

Sydney

Bach Akademie Australia plays brilliant complete Brandenburg Concertos

Par Sandra Bowdler, 15 novembre 2025

Bach Akademie Australia, led by its founder Madeleine Easton, presents as good a performance of the complete Brandenburgs as anyone could be wished for.

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Sydney

15 nov. 2025

Bach Akademie Australia plays brilliant complete Brandenburg Concertos

Par Sandra Bowdler

Jaan Pallandi and Omega Ensemble © Victor Franowski

Sydney

Resonance and repetition at the Sydney Festival

Par Jeremy Eccles, 18 janvier 2025

Missy Mazzoli's Dark with Excessive Bright is the centrepiece of the Omega Ensemble's contribution to the festival's imaginative chamber music series.

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Sydney

18 janv. 2025

Resonance and repetition at the Sydney Festival

Par Jeremy Eccles