En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Wilton's Music Hall

When the pandemic struck and theatres were locked down, OperaGlass Works' staging of The Turn of the Screw was an early casualty. Creative thinking turned the production into a film, with London's oldest music hall the set. 

Not since Monty Python has there been more fun with a chorus of lumberjacks.

A compelling and energetic debut production from a new opera company in the raddled surroundings of Wilton's Music Hall.

Paring the action down to just four singers, La Tragédie de Carmen is the perfect vehicle and venue for a handful of the Royal Opera's Jette Parker Young Artists to strut their stuff.

The Birmingham Contemporary Music Group present an ambitious mixture of experimental chamber music and disquieting monodrama. 

DeNada Dance Theatre brings Carlos Pons Guerra's entertaining Ham & Passion to London.

Mark Bruce's new production is inventive, visually appealing, challenging, loud and hyperactive; and sits so well in the arresting intimacy of this unique theatre

L’Ospedale sounds like it should be a newly written opera about the NHS, but actually, it's a 350 year old piece. It makes for an hour's delectable light operatic entertainment.

The second of violinist Peter Sheppard Skærved's Soundbox series once again took place in the exposed-brick Green Room above the bar at Wilton's Music Hall. As with Soundbox 1, the programme comprised short bursts of music with readings of contemporary material, but this time we also had visual aids in the form of postcards, which were referred to througout.

Wilton's Music Hall in London describes itself as "the city's hidden stage", and rightly so. Nestled in a tiny alleyway in an otherwise dull part of the East End, it's very easy to miss, especially given its outward, derelict appearance. "Niche, arty, folksy, quirky", as I wrote in my notes, really doesn't cover it.

'Romantic' is a term normally applied to heart-on-sleeve 19th-century music, but this evening's concert had me convinced that the real music of love is baroque. The venue was well-chosen for this evening of musical oysters; Wilton's Music Hall is beautiful, intimate and yet grandiose.

Following Alina Ibragimova’s recent residency in the medieval Library of Chetham’s School during the Manchester International Festival, her programme of some of the most complex solo violin works has now transferred for a short spell at Wilton’s Music Hall as part of the Barbican’s summer Blaze festival.