En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | On hearing the first cuckoo in spring

À la Maison Symphonique de Montréal, l'Orchestre Métropolitain et le violoncelliste Maximilian Hornung ont livré une prestation admirable, sous la direction inspirée de Jordan de Souza.

Effortless Vaughan Williams from Maria Włoszczowska, with atmospheric Musgrave and a blooming Schumann First Symphony. 

The LMO deliver a lively account of Prokofiev’s “Classical” Symphony and Haydn’s last symphony while Shelley shines in Mozart’s Piano concerto no. 25.

The aesthetic delights of the Vienna Philharmonic fail to enliven its Beethoven.

Sir Andrew Davis led the BBC SO in a recreation of Sir Malcolm Sargent's 500th Prom, a lengthy programme that failed to inspire.

As London became a vision in white and all went quiet, the Southbank Centre was abuzz with all manner of arts-related activities. One rail replacement bus and a brisk walk behind me, I had made it to see the Philharmonia Orchestra’s matinee concert of 20th-century English music, framed around John Ireland’s Piano Concerto.

Two encores, a virtuoso and a cracking orchestra. This concert truly celebrated the best of British music and musicians, as the first concert in St George’s “Best of British” concert season. The scene was set with an array of red, white and blue amongst the orchestra in several forms: bow ties, flags, ribbons and other accessories.