En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Concerto pour clarinette

L'orchestre National Montpellier Languedoc Roussillon et le brillantissime clarinettiste Martin Fröst nous proposent de mettre en regard la musique américaine et la musique russe d'époques et d'esthétiques très différentes. 

The Swedish clarinettist pays tribute to two jazz legends in Joshua Weilerstein's programme that includes Proms debutante, Elsa Barraine, and Rachmaninov.

Trevor Wilson conducts Elgar, Vaughan Williams, Copland and Wijeratne in the TSO's tour of a century of tonalism.

Ryan Bancroft and the BBC NOW offer scintillating playing in John Adams’ Harmonium, plus an exciting world premiere from Derrick Skye and a stunning Copland concerto with clarinettist Annelien Van Wauwe.

John Wilson brings colour, sparkle and dynamism to Rachmaninov's Symphonic Dances with the RSNO, while principal clarinet Timothy Orpen winds his way through Copland's Clarinet Concerto.

Joseph Swensen shoogles and swings in Poulenc and Milhaud in an exploration of different musical cultures and a fusion of classical and jazz.

From the streets of New York to America’s southern states, Daniele Rustioni with the Ulster Orchestra present an all American evening, with some fine playing. 

A varied programme of orchestral showpieces in Liverpool, featuring star soloist Julian Bliss playing Copland's Clarinet Concerto.

Cristian Măcelaru conducts The Hallé in music by Copland, Bernstein and Gershwin, plus his own arrangement of Jake Heggie's Moby Dick.

Brillante Solisten in Konzerten von Copland und Martinů sind die symphonischen Erzähler eines abwechslungsreichen Konzertabends der Bamberger Symphoniker unter Leitung von Jakub Hrůša

Three works written in the turbulent years after the end of World War 2 were featured in this dynamic concert with the BBCSO under the baton of Sakari Oramo.

An diesem Abend spielte das NDR Elbphilharmonie Orchester zusammen mit Martin Fröst. Der schwedische Solo-Klarinettist hat die Konzertlandschaft des letzten Jahrzehnts bestimmt wie kaum ein anderer Solist. Mit Aaron Coplands Klarinettenkonzert wurde ein Komponist ausgewählt, der nicht so häufig gespielt wird.

A sizzling combination of classical, jazz and folk-inspired music from Fröst and the Academy which drifted across continents with consummate skill.

Dirigent John Axelrod, Klarinettist Sebastian Manz und die Hamburger Symphoniker präsentierten sich mit einem mitreißenden amerikanischen Konzertprogramm in Hamburg.

Mit Werken von Bartók, Britten und Copland sorgten die Streicher das Grazer Philharmonischen Orchesters für einen ebenso energiegeladenen wie atmosphärischen Abend.

A lively program with soloist Martin Fröst, in his HS debut, leaving a deep impression in Copland.

Southbank Centre’s The Rest is Noise festival is continuing this season with programming focusing on the second half of the 20th century. Tonight’s music was a part of the festival’s Britten centenary celebrations, adding in works by Copland and Shostakovich.

Among the most memorable and exciting evenings of my concert-going experience have been some excellent performances by student orchestras. You would think there is a trade-off for this sort of experience and that often is the case: in exchange for that last degree of technical polish you’re recompensed with performances often more thrilling than those by their professional peers.

Aaron Copland was one of the most important American composers of the last century. The inclusion of his Clarinet Concerto and Dvořák’s Symphony no. 9 made this program one inspired by the US. The theme of this year’s Rotterdam Philharmonic Gergiev Festival, Sea & You, of course suits this beautifully – after all, we hear the skyscrapers coming up from the sea in Dvořák’s symphony.