En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | La Sirène (Die Seejungfrau), fantaisie symphonique d'après H. C. Andersen

The Proms are often very clever at recreating musical events from the past. Here, two works originally premiered in 1905 are given a fresh outing by Ryan Bancroft and BBC NOW. 

Maria Ioudenitch joins the Symphony for Samuel Barber's popular Violin Concerto. 

Obras del siglo XX conformaron una velada que nos guio por un sendero de sonoridades tardorrománticas, intimismo y brillo sinfónico al mismo tiempo.

Yefim Bronfman's performance of Mozart's Piano Concerto No. 24 highlighted Maestro Lorenzo Viotti's guest-conducting appearance with Montreal's Orchestre Symphonique.

Bookending a concert with Die Seejungfrau and La Mer, Klaus Mäkelä and the Swedish Radio Symphony Orchestra offered two very different musical depictions of water and the ocean.

Andrey Boreyko’s Blossom Music Center program included Beethoven’s “Emperor” concerto with Francesco Piemontesi and a rare but convincing performance of Zemlinsky’s Die Seejungfrau.

Vasily Petrenko conducts Zemlinsky, Mendelssohn and Bruch in Liverpool.

Leticia Moreno deleita, con un manejo extraordinario de su instrumento, al interpretar con pasión a Szymanowski, en un programa que incluye obras de Mahler y de Zemlinsky.

Jurowski is a wonderful conductor to watch. He carves shapes through his bearing and gesture cleanly, and his indications are crisp and defined - yet he retains poetic fluidity through his hands at all times.

Vladimir Jurowski and the London Philharmonic paired two large-scale Romantic works from the early years of the 20th century

BBC National Orchestra of Wales's afternoon concert series brings unusual works to light, but the small auditorium can make some of the heavier late-romantic orchestration overwhelming – to the point of being overpowering.

Billed as “Midori performs Mendelssohn’s Violin Concerto”, this Orchestre symphonique de Montréal concert conducted by James Colon was notable for a blazing performance of Zemlinsky's symphonic poem Die Seejungfrau.

Carl Nielsen had an exceptional understanding of the nuances of woodwind instruments, and when playing the parts he wrote for flautists, the affection is almost palpable. Towards the end of his composing career, he thought of different orchestral instruments as having distinct personalities, and composed their interactions accordingly.