En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Six Pièces pour piano (Klavierstücke): Intermezzo en la majeur, Op.118 no.2

Après sa jeune élève Laure Cholé en première partie, le vétéran du piano a délivré une admirable intégrale des nocturnes de Chopin pour le premier concert de cette nouvelle série parisienne.

Dans un récital qui allait de Clara Wieck à Rachmaninov, le pianiste s'est distingué par un phrasé éloquent, un legato merveilleusement chantant et un vrai engagement au service du texte.

Les Musicales de Croissy invitent le harpiste russe Sacha Boldachev. Un récital saisissant qui nous transporte dans des contrées vertigineuses et parfois encore inexplorées de ce bel instrument.

Under Marin Alsop, the Chicago Symphony string players also offered a lyrical reading of Jessie Montgomery’s beguiling Strum.

Arrebatado Brahms, Strauss y Liszt de Josep Maria Almirón en un recital de altos vuelos.

Joaquín Achúcarro ofreció en Valladolid un estupendo recital pianístico, en el que ofreció obras de compositores que le han acompañado durante su larga carrera.

Donald Runnicles demonstrates his superior musicianship in a warm, intelligently crafted reading of Brahms' Symphony no. 2 in D major, with Andrea Lam as a sensitive and reserved soloist in Robert Schumann's Piano Concerto.

Written for a large virtuoso orchestra, Ravel himself reduced La Valse's teeming complexity to a very difficult piano solo – it is not uncommon to find “complete” live or recorded surveys of the composer’s piano music which simply omit it. But it held no terror for this artist.

Haochen Zhang, Thomas Dausgaard and the Singapore Symphony impress in Mozart and Bruckner.

A silver sequined gown and sparkling virtuosity dazzled a good proportion of the audience in the Queen Elizabeth Hall in a recital by Georgian pianist Khatia Buniatishvili. However, can virtuosity for its own sake be too much of a good thing? 

Emanual Ax demonstrated brilliance both as creative innovator and performer, paying homage the pianist's pianist, Johannes Brahms.

For the last concert of her Perspectives series at Carnegie Hall, Renée Fleming assembled one of the least coherent concept programmes imaginable. Billed as “Vienna: Window to Modernity”, it was never clear what was specifically Viennese about the music on show, nor what was particularly modern, nor what windows had to do with anything.