En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | After the Rain: pas de deux

A l’occasion de la 13° édition des Etés de la Danse, l'Alvin Ailey American Dance Theater prend ses quartiers à la Seine Musicale.

Two masterworks by Jerome Robbins, Brandenburg and A Suite of Dances, are joined by Wheeldon's steamy After the Rain and Ratmansky's Paquita challenge.

After two years of pandemic disruptions, the Australian Ballet celebrates its return to the stage with this gala of impressively-chosen showstopper pas de deux.

A matinee performance that was bright and polished across the board, boding well for the company's future. 

To celebrate its return to the theatre after lockdown, New York City Ballet pulled out all the stops with a triple bill of Balanchine's Serenade and Symphony in C and Wheeldon's After the Rain. The house went wild. 

Marianela Núñez possesses a shimmering, celestial radiance and Vadim Muntagirov is a Prince in his prime.

“Your love affair with ballet, your time with ballet, is short,” explains Welsh about his ballet Bespoke, “Eventually you lay down, and dance keeps moving. It’s a bittersweet thing.”

BalletNOW returns to the Glorya Kaufman Presents Dance at the Music Center in Los Angeles. The production features dancers from six different major ballet companies, but fails to impress.

Intricate hip-hop, sinuous African, lyrical ballet and glorious gospel held together with powerful contemporary technique: you are hit by huge waves of happiness and end the show smiling.

A high-spirited divertissement from the New York City Ballet.