En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Våren (Spring), Op.33 no.2

In her New York recital debut, the young Norwegian soprano displays the extent of her vocal and theatrical power in an unusually wide-ranging program of songs and opera arias. 

Despite the absence of a superstar soloist, Montreal's OSM were magnificent under guest conductor Michael Tilson Thomas.

After a six month gap, the Nationaltheater welcomes a limited audience to an opera-in-concert of extraordinary beauty of singing.

Norwegian Isa Katharina Gericke seized on the opportunity of building a programme around Kirsten Flagstad’s lieder repertoire to present an enjoyable recital at Stockholm’s Allhelgonakyrkan, together with pianist Bengt Forsberg. However, fine musicianship from this perfect team, and the exuberant charisma of this charming singer couldn’t remedy the fact that many of the songs lack substance.

Perelman Stage at Carnegie Hall is by no means a modest-sized concert stage, and the Royal Stockholm Philharmonic Orchestra seemed to take up every square inch of it. The sheer size of the orchestra is initially what struck me, until the opening lines of Rolf Martinsson’s Open Mind, Op. 71.