En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Lamento d'Arianna

Le récital d'Eva Zaïcik avec Les Épopées restera dans les annales beaunoises, de même que la version de concert très incarnée de Didon et Énée par les Arts Florissants.

Well defined performances of Monteverdi madrigals are sung with I Fagiolini’s customary ease and involvement. 

A concert journey from Ariadne's despair to Schumann's elation, and a compelling demonstration of Wigglesworth's gifts as both composer and conductor.

Conceptually, the programme of descending and rising fourths offered a real treat: in practice, the musicians' skill was in danger of being lost as they attempted to recover from their opening gimmickry.

Energetic playing, clarity and precision from Christophe Rousset and Les Talens Lyriques in three dramatic pieces by Monteverdi, but some weighty singing obscures the detail. 

Staged at Dutch National Opera’s workshop, Madrigals reduces the distance between public and performers and creates a real sensorial experience. 

In “Far from Home” reed quintet Calefax and the Nederlands Kamerkoor performed music around the theme of loneliness, loss and exile.

Italian soprano Anna Caterina Antonacci, a darling of the Parisian opera stages, puts on a fine display of her vocal range on the occasion of the American première of her production titled Era la Notte (in English translation, “It Was Night”). Originally staged in 2006, this performance is being presented in New York as part of the White Light Festival at the Lincoln Center.