En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Rodelinda, RWV19: Pompe vane di morte... Dove sei, amato bene?

Iestyn Davies shows how to make every word count in a fairly standard sampler of Baroque arias; Ticciati is a fireball on the podium with the Chamber Orchestra of Europe.

As part of 'London Unwrapped', countertenor Iestyn Davies presented vocal portraits of the altos – male and female – for whom Handel composed in the capital. 

Young countertenor Aryah Nussbaum Cohen steps in at the last minute to premiere Kenneth Fuchs’ fascinating new composition Poems of Life.

The new season at Wigmore Hall launched with a sensitively programmed selection of Handel arias, intelligently played by some of the country's finest Handelians.  

Question: how do you demonstrate to a sceptical audience that baroque opera seria doesn’t have to be boring? To answer this, the organisers of Sommets Musicaux and David Greilsammer, conductor of the Geneva Chamber Orchestra came up with a programme consisting of four Handel arias interspersed with orchestral passages from French baroque opera, these chosen for their variety and dance-based charac

If one had idly wondered how a programme of English love songs, sung by a German, would be received by a Norwegian audience, in a wet and windy Bergen, the answer came loud and clear at this week's International Festival.