En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Rondo brillant pour piano et violon en si mineur, D.895

From Beethoven's “Ghost” Piano Trio to Schumann’s song cycle, Frauenliebe und -leben, an eclectic programme at the Martha Argerich Festival. 

There were piano arpeggios that could have come from the pen of no other composer

Style, technique, an original approach, a brilliant discography, even an exemplary profile offstage – Midori has it all. What impresses in live performances is her intelligence, her deep understanding of the material and ability to articulate a wide range of visions and voices. 

Appearing at Milton Court, Leila Josefowicz enclosed three short utterances from the 20th century with two works by Schubert. After a shaky start to the evening, Josefowicz turned out an impressive performance full of fire and flair, excelling in Stravinsky’s Duo concertant.

Marc-André Hamelin, Martin Fröst and Anthony Marwood join forces at Wigmore Hall in a great selection of mainly 20th century classics by Debussy, Stravinsky, Bartók and Poulenc.

In recent decades, the infatuation with youth and beauty has affected many industries including classical music. In fact, it seems that classical musicians must begin their studies practically while they are still breast-feeding in order to ensure any kind of career at all. Bright stars burn out quickly, however, and few Wunderkinder show signs of true artistry and sophistication.