Leila Josefowicz stuns with Stravinsky at Milton Court

Leila Josefowicz ticked all the boxes in this stunning recital: highly imaginative curation; musicality in every note; and a winning ability to communicate to the Wigmore Hall audience.

Un bien beau concert en ouverture du Festival de la Bâtie : rien de moins que du John Adams par John Adams. En prime, son concerto, servi par une des interprètes qui connaissent le mieux ce répertoire, nous a permis de goûter aux délices des mélopées orientalistes de Scheherazade.2 ! Un must ! 

Familiar and unfamiliar Sibelius, a coruscating violin concerto and a recent score by Caroline Shaw are the elements of Dalia Stasevska’s noteworthy debut.

Stepping in for an indisposed Marta Gardolińska, the guest conductor leads a virtuosic performance of Lutosławski’s Concerto for Orchestra paired with Leila Josefowičz playing Szymanowski’s Second Violin Concerto.

Leila Josefowicz’s clear and incisive tones sears through thickets of dissonance in Alban Berg's Violin Concerto, “To the Memory of an Angel”. 

By the close of the performance, one sensed that the audience’s exhilaration stemmed less from polished execution and more from a shared immersion in the music’s dramatic arc—elements that lingered as the defining memory of this eventful evening.